1983 - California Blue
"When the manager of Savages asked me if I'd like to be in a porn flick, I said, "Sure, I'd love to." I mean, it wasn't something I'd spent a lot of time thinking about, but who hasn't fantasized about being in a porn video?" .... "The most memorable part of the movie isn't the scene with John and Tony in the brussels sprout field, however, where they 'rape' me with a cucumber and then double-fuck me; it's the later scene, up at the barn, where John and Tony get it on with each other. I had to stand by and watch that scene ... and greater frustration hath no man ever experienced. I knelt on the sidelines, mouth open, eager for a chance to "fluff" either one of them. One time when John went outside to take a piss, I drank that, too, and then sucked him up hard again He had a fabulous, leisurely manner of fucking a face that really got me worked up; pity it isn't documented better in the movie."
"Before we'd even finished shooting California Blue, I had an offer from Falcon's talent scout, to do a video for them." "He'd been commissioned by Playboy, of all magazines, to photograph the "Biggest Dick In Scan Francisco" contest. Well yes, yours truly was the winner, and so naturally, he gave me his card, saying , "Let's do a video, little boy." "I think we got around to them (setup shots) was at about 2 p.m. I was then told to give Randy an enema with a garden hose - the single most disgusting thing I've ever done on camera." You can purchase this video from FALCON Video
"This was a strange little loop, designed to go with two other film pieces that had been hanging around for a year or more - and since Falcon had just switched to video, they needed another film loop to finish up this movie." "For some reason, they decided that these loops weren't up to their usual standards, and they should be marketed under a new brand name, "Jocks," so as not to sully the fine Falcon reputation - the beginning of my B-movie career."
"The genesis of this rather horrible little video was when I innocently shaved one side of my head, in March or April of 1984. I was intending on leaving it that way - very punk, you know - but then wandered through the leather store on Folsom Street that just happened to be the storefront for Drummer magazine, and John Embry (the publisher) saw me and said, "Hey, kid, ya wanna get the rest of that shaved on film?" "Since my role was to 'hang' from the ceiling like a piece of meat, in shackles and restraints, while he shaved my head and body (and applied various other indignities), that was easy. He also clearly wanted to fuck me, but I hadn't agreed to that; he pretended to do so, anyway. No climaxes. Hey, it wasn't much fun to shoot, and I've only watched the thing once. If your think is v-e-r-y s-l-o-w videos, this one's for you."
" ... No one in my private life has ever accused me of being a top, but when you have a big dick, porn directors want you for one thing and one thing only: your ability to fuck. And, yes, this film does stand out as one of the more brilliant documentaries of my scimitar-like dick. When it's really, really, hard, my dick curves upward rather beautifully (it's been years since I've been that hard), and I don't remember having any hard-on problems on this particular set. Ah, the vigor of youth."
"The scene with Craig began in a weight room, proceeded to the locker room, and ended in the Jacuzzi. By way of preparation for this film, I had gone out three weeks prior and enrolled myself at the gym on a one-month trial membership, just so I'd know the ropes around there; it was the one time n my life when I've worked out regularly in a gym. I can honestly say I never saw even the most discrete sex going on there during business hours. I still wasn't very happy with the way my physique measured up - let's just say that I don't think I looked very convincing while I was seating away on the weights - but once we got into the Jacuzzi, I think most viewers' thoughts were far away on some other tangent."
"SSPF starts with me jerking off in a tent - a fantasy sequence, beautifully lit in silhouette. When I go down on myself, and you see my shadow on the tent wall, it's about as breathtaking as any scene I've ever done." "Come the release date, I was in for a surprise. There was a Gala Premiere at one of the adult theaters in San Diego. I was flown back down and put up at the Balboa Park Inn, a very gay establishment with theme rooms. In the "Tara Suite," I felt slightly ridiculous, but excited, too. And the limo that delivered us to the theater ... and the hors d'oeuvres (need I add that they were all phallic-shaped?) .. and the 8 x 10 glossies that Dirk Yates) had for us to sign! I'd never seen a porn flick gets his sort of treatment, and I have to say it was gratifying. Yes, it was all a bit excessive (Hollywood IS excessive) but it was also the real-world recognition that what we were doing was valuable and important. With ten years of perspective, I appreciate that acknowledgement.; it's one of the messages that I've spent my subsequent career pushing. Thank you, Dirk."
"I first met Al Parker - Drew, to his friends- in August, when he was up in San Francisco to act as a judge at the Greasy Jockstrap Contest, held at the Powerhouse Bar on Folsom Street." "Drew, in his original interview, had asked me what sort of partner I'd be most turned on by. I had a pretty good stock description of my ideal type: dark -haired, dark-skinned, foreskinned, with a last name like Lopez or Rodriguez or Alfaro or Dal Proto. He got the picture. He and I shared similar tastes, in fact, and he assured me that he had several such men on line for the production."
"There's not much to say about this one; it's another Drummer masterpiece, a jackoff video=nicely done, I think, and I enjoyed several of the other performers, but I don't remember watching it more than a couple of times. The process of shooting it left no indelible marks on my memory. A fake stage was set up in the Drummer offices with rows of chairs that were occupied by the office staff, so they could includes shots of the backs of the audience's heads. I think John Rowberry is one of them. I did my usual masterful masturbation routing, but my mine was elsewhere. Maybe just because it was shot three days before my big feature in of the year: Below The Belt"
"If I meet a fan who starts waxing rhapsodic about one of my scenes, at least half the time it's a scene from this film. If I show up at a bathhouse and one of the attendants realizes I'm there and puts on one of my videos, chances are he'll choose this one. It's the closest I ever got to being in the L.A. big time porn circuit; the Matt Sterling crowd. Surprisingly, I enjoyed myself immensely." "My fans tell me it's a hot scene. It's the one time I've double-dicked someone on film, which gives it a certain status in my mind, since that's one of my all-time most effective sexual fantasies . (The reality never lives up to the fantasy. I had, I'm sorry to say, difficult keeping a hard-on. Fortunately, David [ashfield] had no such problems. He never does.)"
"This was the nadir of my career." "I don't remember what the plot of the movie was; there may not have been one. I remember sucking a variety of dicks t hat were stuck through a series of gloryholes, which would have been erotic if the gloryholes hadn't been in aluminum-foil-covered cardboard. They probably had a fog machine, too. Hey, why to? The climax is indelibly branded on my memory; I was lying on the floor while the six or seven other guys jerked off on me. Hot, right? Well, it might have been, if the warehouse had been heated and/or I'd been lying on something other than a concrete slab. I felt like a stone-cold corpse by the time the last guy had shot."
"Let's face it, by this time in my career I was starting to seriously worry about how much longer I could keep it up. I wanted to get as many performances recorded on film as I possibly could. So the next time I was down in L.A., I dropped in and did a jackoff sequence for him. It went well - hey, what could be easier?- and I was happy with the way my body looked at the time."
"I don't remember how I got this job; I just remember being on the set, doing numerous takes on all the dialogue, and then doing an extremely long evening of shooting." "At the same time, since it's one of the only three films in my entire career where I get porked, I'm also especially fond of this one. Jim West put a lot of care into his videos; it's got some class. Regardless of whether or not any of the fantasies portrayed are personally arousing (they aren't), I can't get off on the sight of a cholo fucking me. Personally, I think I got a lot more than I paid for in this video."
"The upshot of all this is one of the stranger lessons I ever learned on a set; you really shouldn't be too turned on by your partner. A moderate amount of attraction is good, but I was overexcited in this instance: I don't think I'd been fucking him for more than five minutes when I lost it, and shot my load. Oh, I pulled out, and the camera got a good close-up of my cumshot, as required; then, quickly, before I lost my hard-on, I shoved it back in and did another five minutes or so of fucking while everyone else did their cumshots."
"What's to say? Another jackoff movie."
"Problem time. We're coming down to the end of my career, now. I'm starting to be real concerned about the lack of condoms on set. I almost asked about them before this shoot; I wish I had. I was paired with Joe Cade, a very hunky bodybuilder with a tasty uncut dick, and Bosch Wagner, a tattooed, slightly vacant boy with an asshole that he claimed could accommodate three fists" "Then, with the whole affair safely out of the way, I finally summoned up courage enough to say to him, "Look, you know I like working for you, but I really wish you would let us use condoms." I was read for him to blow up in my face, to say, "Not on my sets you don't," or some such. Instead, he looked me in the face, all wide-eyed innocence, and said, "Well, geez guy, you should've said something! I had condoms and lube in the bag, right there!" I've seldom felt so low as I did at that moment. My chance to make video history-the first Falcon video with condoms!-and I'd blown it, through lack of forcefulness."
You can purchase this video from FALCON Video
"...it's one of my favorite films." "I was cast as a baseball star, modeled after some then-famous hitter. I was to be blackmailed into joining an inferior team by having my sexual peccadilloes captured on film. Naturally, it didn't work out that way, but n the interim I got to suck Jim Bentley's dick, and fuck a very willing woman whose name I'm afraid I don't remember. Yep, that was the novelty, for me; you see, in all my years of ass-pounding, I'd never once gotten into a pussy, and I felt as if this were a serious gap in my sexual education, which needed filling."
"You see, for once, I was credited in the technical credits - as "Technical Support," I believe. Translation? I did fluffing duties for one of the models, a delightful little daddy-boy from Honolulu. Never-say-no-O'Hara, that's me. It was the one time I crossed over from being "just talent" to being a techie. It may seem strange to many of you that a glamorous pornstar should dream of being a lowly cameraman, but that's the job that gives you the chance to be creative. I was proud."
"The heterosexual scenes were only mildly amusing, but to my surprise and pleasure, Cory and I got along famously. We both decided to ignore the cameras and have a good time, with tolerable results. Like I say, I still wouldn't watch this one for fun, but there's a certain amount of nostalgia associated with it. Cory and I keep running into each other in unlikely places oven the years, and he keeps saying that we should get together. I'm tempted every time - he looks better than ever, in my opinion - but then I remember that he's a smoker, and come to my senses. One of these days, he says, he'll quit."
"New RecruitsI was paired up with Vladimir Correia, and despite all my lascivious comments about Latin men, you can keep Vlad the Impaler. A truly obnoxious heterosexual boor, he loved to boast about his straight video career in Brazil."
"This one is memorable to me for two reasons: seeing retired legend Will Seagers come back from retirement and a long and amorous return encounter with the vampiric Cory Monroe." "The major problem, actually, was that we were just getting into it too much, especially in the grotto/hot tub: we'd be getting smoochy and romantic, and start ignoring the director's imperious orders. Bad, bad, bad boys!"
"My last videos was also, unfortunately, one of my safest-except from a chiropractic standpoint." "About sucking my own dick; it's not a big turn-on to me. It's painful and nor really satisfying. Still, it does give me that irreplaceable feeling of a dickhead between my lips, on those long, lonely winter nights when there aren't any other options, so I'm grateful for that, at least. It's a lot better than having to keep a lover around."
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